Midnight Vanity: The Masquerade — Lilian's Search for Gerard Continues
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Have you met Lilian? If not, read her introduction here before diving into this next chapter of her story.
Since the night Gerard kept his promise the only way he could, Lilian has moved through Society searching for him — waiting for the moment he told her would come, when it was finally safe for them to begin their forever. Tonight, that search brings her to a masquerade.
Her mask is fashioned from black swan feathers, layered and overlapping until it catches the candlelight like something alive, gold gilding worked delicately around the eyes. Beneath the gown, just visible with each step, are her boots — the same ones from before, when the world was simpler and she was only a girl waiting at a window. Her black top hat, roses and tulle pinned along its brim, sits at an angle that draws more than a few admiring glances as she moves through the crowd.
She is searching, though no one watching her glide through the ballroom would guess it. When she woke that first night with the hunger already settling into her bones, he was already gone. All that remained was a note on her night table — elegant calligraphy on parchment, sealed with a large red wax seal bearing a rose and a bat, the same design she'd recognized at once from his ring.
I will find you when the time is right and all is safe, and we will begin our forever. Love eternally, Gerard.
She has read those words more times than she could count. Tonight, masked among hundreds of other masked faces, she lets herself hope that somewhere in this crowded ballroom, hidden behind someone else's disguise, he might be searching for her too.
A man approaches and requests a dance. She almost declines — she has declined a dozen already tonight, unwilling to spend her searching on idle conversation — but something in the way he holds himself catches her attention. As he draws closer, bowing over her offered hand, she realizes with a jolt who he is. Gerard's closest friend, a face she hasn't seen since before the turning.
He says nothing to give it away in the open ballroom. Instead, speaking low, he guides her gently through the crowd, away from the candlelight and the music, into the hushed quiet of the library beyond. The moment the door closes behind them, Lilian's shock gives way to something sharper.
"You knew," she says, striking at his chest in frustration. "You knew what he was, and what you are, and now what I am."
"Lilian, I don't have much time before they catch me," he says. "Gerard asked me to find you — to tell you he loves you, and that he's trying very hard to escape the dungeon he's being held in. They've hunted us mercilessly for years, and they finally caught him."
Lilian crumples into the nearest chair. All these years of searching, and he has been held in some decrepit dungeon this whole time — not avoiding her, not biding his time, but trapped and fighting to return to her all along.
"I must go now," the friend says. "Guard your secret above all else, Lilian, or they will start hunting you too."
And with that, he disappears out the door, leaving her alone with the fire and the weight of everything she now knows.
Gerard is alive — and hunted. What comes next for Lilian, now that she knows the truth? Come back soon for the next chapter in her story.
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Have you met Genevieve? If not, read her introduction here before diving into this next chapter of her story.
Genevieve flinches as the bell above the door chimes. It's almost dusk — no reason for customers to be out at this hour. She curses herself for not locking up after the last one left, a woman in no hurry back to her carriage while her footman stood holding her purchases far longer than was kind. Genevieve feels the intrusion in her space before she even sees him. A tall man in a bowler hat crosses the floor in strides that can only be called efficient, fast-paced — a man who doesn't wander. She braces herself behind the safety of the large wooden counter, ready for the hostility she already knows is coming.
"It's Friday, Miss Genevieve, and I've come to collect my master's coin. I won't be accepting any excuses. I've been told you've stalled long enough on your payment."
Genevieve puts on her most convincing smile, her brown eyes giving nothing away of the fear telling her knees to buckle. The man is dressed in a suit — not a gentleman's fine cut, but the kind worn by men who started in trade and clawed their way up through the ranks. The look of someone who's earned his authority in an enterprise that isn't particularly respectable, or legal.
"Please refrain from using my Christian name, Mr. Bowls," she says. "I understand you're here to collect, and I have your payment — though I am a few shillings short. I assure you I'll be able to make it up next week."
She feels the coldness sweep through his look. He won't accept a lesser sum without a penalty, and she knows it. Cautiously, she pulls out the drawstring pouch she sewed from a piece of her mother's old dress and begins counting out the coins inside. He reaches across the counter and takes the entire pouch from her hand, weighs it, and tucks it into his coat. He turns to leave — then, passing the window display, stops at the bolt of new icy blue silk just arrived from a Cheapside warehouse in London. His hand hovers over it a beat longer than it should — the briefest pause, gone almost before it registers — before he picks it up anyway.
"This will go toward your bill, Miss Genevieve. The next time I'm here, I won't be as generous."
He tips his hat and steps out the door.
She lets out a breath she didn't know she was holding. That bolt of silk would have brought in more than enough to cover her entire next payment, if only she'd had the chance to sell it to the wealthy ladies of the ton first. Now she'll need to find another way to make up next week's sum. She shudders — the man is cold, menacing, and yet she can't deny the way he says her name makes something inside her flutter. She doesn't let herself dwell on that pause before he took the silk. She tells herself she imagined it.
Who is Mr. Bowls, really — and what was that pause before he took the silk? Come back soon for the next chapter in Genevieve's story.
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Isla's story continues.
The harvest celebration at Ardmuir was, by every measure Isla knew how to take, a triumph. Lists checked. Budgets held. Every free hand on the estate put to good use, right down to the youngest kitchen boy pressed into carrying chairs. It was exactly the kind of work Isla was built for — methodical, useful, entirely within her control.
What she hadn't planned for was how often the duke found reasons to help her.
It started small. He arrived early one morning to help move benches she hadn't asked him to move. He fell into step beside her while she counted casks of ale against her tally, offering an opinion she hadn't requested and, more surprisingly, hadn't minded. By the third day, she had simply stopped being surprised to find him there — checking the weather with her, correcting a miscount in the tenant list, standing patiently while she re-checked his correction and found he was right.
He never once tried to charm her out of the ledgers. He simply worked beside her inside them, and Isla — who had spent a lifetime preferring solitude to company — found she did not mind this particular company at all.
She told herself it meant nothing. She has never been very good at lying to herself, but she gave it a determined effort anyway.
By the night of the celebration, the great hall at Ardmuir was full in a way it hadn't been in years — tenant farmers and nobility shoulder to shoulder, firelight catching heather-purple ribbons strung along the rafters, whisky-amber light spilling from every candle Isla had personally counted into place. She stood near the edge of it all, satisfied in the particular way that only comes from watching a well-run plan unfold exactly as intended.
She did not expect to be pulled into the middle of it.
The duke found her there, at the edge, and did not ask so much as simply hold out his hand — the way he'd been doing all week, assuming her help before she offered it, and somehow never once presuming too much. When the fiddles struck up for the first dance, it was Isla's hand he was holding, and Isla's feet, entirely unpracticed at anything but standing still behind a desk, that he guided through steps she'd never properly learned.
She did not step on his feet. She counted this, privately, as one of the greater accomplishments of her life.
Her face was sore from smiling by the time she finally sat down by the fire that night, a tartan blanket pulled around her shoulders, the last of the celebration's noise still ringing faintly somewhere beyond her chamber door. She had never been one for dancing, or frivolity, or any of the things that made up an ordinary young woman's ordinary hopes. And yet she had to admit — if only to the fire, and to no one else — that it had been the best night of her life.
Was it possible, she wondered, that there could be love out there for a woman like her?
She did not have an answer. For once, she found she didn't mind not having one yet.
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[If Christmas craft shows are on your calendar this year, now is the moment to start planning — not in October when the good booths are already booked and you're scrambling to print a sign. A little structure now saves you from the classic mistake so many of us have made: spending weeks making something beautiful that nobody at the show actually wants.
This is Part 1 of our Christmas craft show prep series, covering the groundwork: researching trends, deciding what to bring, mapping your booth, sorting out how you'll take payment, and choosing venues that are actually worth your table fee.
It's tempting to dive straight into production mode, especially when you already have a signature style. But before you commit hours (and materials budget) to new stock, take time to look at what's actually selling this season.
The goal here isn't to copy anyone. It's to make sure the hours you invest go toward products people are actually hoping to find on the tables this year.
Once you have a feel for what's trending, it's time to get concrete. Craft shows reward focus — a table that's easy to shop tends to outsell a table trying to be everything to everyone.
Before show day, sketch out your booth. Literally draw it, even roughly. This is where a lot of vendors get caught out — realizing the morning of that they're missing a key piece of equipment.
Walking through your booth plan on paper now means you're not making a panicked last-minute run for a folding table the night before.
Cash-only tables leave money on the table — literally. Most shoppers expect to tap or swipe, especially for higher-ticket items.
Not all craft shows are created equal, and table fees can add up fast if you're picking events without foot traffic to back them up.
A little research here can be the difference between a show that covers its fee twice over and one that barely breaks even.
Once you've got your research, product lineup, booth plan, payment setup, and venue list locked in, the next step is turning all of that into a real production and marketing timeline — so stay tuned for Part 2, where we'll map out the countdown to show day.
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You know the feeling. You finish a book, close the cover, and just... sit there. Staring at the wall. Unable to speak to another human being for at least twenty-four hours. If you've ever needed a full recovery day after a book wrecked you in the best possible way, this spread is for you.
The "Emotional Hangover Log" is one of the most fun reading journal spreads we've come across — equal parts silly and cathartic, and genuinely satisfying to fill in after a book that leaves you emotionally flattened. Here's how to recreate it in your own journal, plus where our Romantasy printables can shortcut the decorative work.
This spread isn't just a book log — it's a confession booth for readers who take their heartbreak seriously. A few key elements make it sing:
Start with a simple four-box grid on your page — one box per book, so you can track a small stack of recent reads at once. Hand-letter your headers in a serif or script style to keep the tone a little dramatic, a little romantic, exactly like the books you're logging. Leave generous blank lines under each prompt so there's room to really spiral if the book calls for it.
For the heart rating system, five small hand-drawn or stamped hearts per box does the trick — shade them in as you rate the damage, from a single wounded heart to all five fully colored in for the books that truly ended you.
If hand-lettering and illustrating isn't your thing (or you just want it to look polished fast), our Romantasy Collection has exactly the elements this spread calls for — rose borders, a wax seal motif, castle silhouettes, and sword accents, all ready to layer straight into your journal. Print, cut, and paste your way to the same dramatic, fairytale-gothic aesthetic without picking up a paintbrush.
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Isolde swallows the last of the bitter wine in her cup and smiles at her tablemates. "I fear I am bone weary this evening. I hope it will not offend you if I excuse myself to lay down in my chamber."
The guests on either side nod, gracious as ever, and she waits for the servant boy to pull her chair back from the table. She rises with practiced ease, the picture of composure — the mark on her wrist hidden beneath her sleeve, exactly where it has been all night.
But something catches her attention as she turns from the table.
A servant girl, watching her. Not the polite, downcast glance expected of the household staff — something sharper. Something that lingers a half-second too long, the way one looks at a coin left carelessly out in the open.
Isolde gives her a cutting glance in return, and the girl's eyes drop properly, as etiquette demands. But the damage is done. Isolde is left unsettled, turning the moment over as she walks.
Did that girl see something?
What could have possibly emboldened her to look so directly in the first place — unless she'd caught a glimpse of what Isolde has spent weeks concealing?
It's more urgent now than ever that she find someone — anyone — who can tell her what this mark truly means, and what she's meant to do about it, before her father finds out. The king is not known for mercy, even toward his own daughter. And more than one maiden has met the pyre for far less than a mark no one can explain.
Isolde keeps her eyes fixed forward, avoiding conversation, and walks quickly down the long flagstone hallway — up the stairs, toward the fragile safety of her bedchamber.
Isolde's world is only just beginning to unravel. Follow her story — and find the printables inspired by it — in the Romantasy Collection.
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A My Grandma's Teacups Reading Quiz
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