Autumn in Bloom: Elizabeth Hart’s Cottagecore Comforts Fall Card
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There is something lovely about seeing a colouring page become a finished handmade card. Design team member Elizabeth Hart of Warm Harted has brought the Cottagecore Comforts Fall collection to life with golden flowers, autumn leaves and a beautiful burgundy bow.
A little autumn garden, made from paper
Elizabeth used the Cottagecore Comforts Fall colouring book together with coordinating background paper from the fall collection. Her coloured floral arrangement sits in a blue-green jar, with wheat rising above the flowers and a plump orange pumpkin nestled beside it.
I love how the brighter greens and golden petals stand out against the soft cream background. The patterned side panels echo the harvest theme, while the red cardstock and generous ribbon bow pull the whole design together. The cut-out leaves reach beyond the central panel, giving the arrangement a lovely sense of movement and dimension.
These are design ideas inspired by Elizabeth’s finished card; please visit her blog for her own project details.
Thank you, Elizabeth, for sharing another beautiful project with us! Please stop by Warm Harted to enjoy more of her cardmaking and leave her a little love.
Find the Cottagecore Comforts Fall printable collection in our Etsy shop for coordinating autumn papers and creative pieces. Elizabeth’s project combines the fall colouring-book artwork with coordinating background paper; check individual listing contents when choosing your supplies.
Elizabeth’s readers can use MGTELIZABETH for 30% off. Open the Etsy shop with Elizabeth’s coupon.
Would you turn your next colouring page into a card, a journal focal point or a little piece of seasonal decor? I would love to hear what you are making.
Project design and original photograph: Elizabeth Hart, Warm Harted. Featured as part of the My Grandma’s Teacups design team.
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Little cameos, festive buttons and a bracelet that looks ready for a Christmas party—this is such a lovely way to take our printables beyond the paper craft table. This DIY Christmas shrink-plastic bracelet tutorial walks you through downloading, cutting, colouring and joining your own vintage-inspired links.
Download the three-page Christmas Bracelet Charms PDF. There are 12 black-line designs, four per page, with an attachment tab and punch guide on each side. Find them in our Repository for Beautiful Things.
Prefer separate images for your cutting software? Download page one, page two and page three.
Check before printing: use film labelled for your printer. Do not put ordinary or inkjet shrink film into a laser printer: its heat can shrink the plastic inside the machine. For non-printable film, print the designs on paper and trace them instead.
Open the download link, choose Download, and save the file to your device. Open the PDF in a PDF reader rather than printing a screenshot. The large designs were planned for film that finishes at 20% of its original width and height. At that ratio, a 3½-inch design finishes at about 0.7 inch.
Product claims can refer to different measurements, and actual shrinkage varies. Before making a batch, mark a one-inch square on a scrap, heat it according to the packaging, let it cool and measure it. Finished width divided by starting width gives your linear shrink factor. Required printed width = desired finished width divided by that factor. A square finishing at ½ inch has a factor of 0.5, not 0.2. Resize accordingly rather than assuming every brand behaves the same.
For the PDF, select US Letter (8½ × 11 inches), portrait, Actual Size or 100%, and turn off Fit to Page. Print a paper proof first. The PDF includes printer-safe margins. Feed the correct printable side of your film according to its instructions and let the ink dry completely. Keep colours light because they become more intense as the plastic shrinks.
By hand: separate the designs, then turn the plastic as you cut around each outside silhouette. Keep both side tabs intact. Smooth sharp corners and leave a small protective border beyond the printed outline.
With a cutting machine: import an individual PNG page and isolate each chosen design. Remove the page heading and footer from the cutting selection. Clean the background so only the outer silhouette is cut; the interior line art must remain print detail. These PNGs are artwork, not ready-made cut files. Retain the attachment tabs, set the intended dimensions, and choose Print Then Cut. Use the software-generated print with registration marks—do not use the already printed PDF for this route. The registration area may require fewer pieces per sheet. Test the film, blade and settings first; if the machine cannot read the marks or cut the material cleanly, fussy cut instead. Punch the side holes separately.
Try classic red and evergreen, ivory cameos and little touches of gold. Work on the decorating side specified by your film maker. Use light layers, let each dry, and leave the punch guides visible. Colouring after cutting is fine, although colouring before fussy cutting can be easier to hold. Test any new pen on a scrap.
Centre the punch over the guide on each side tab. Check that each opening is fully cleared and that a sturdy band of plastic remains around it. Do not punch the decorative circles in the pearl borders. A ¼-inch hole would finish about 1.3 mm across at a true 20% linear ratio; use jump-ring wire that passes freely through your cooled test piece. The printed circles are guides: the punch size and remaining tab strength matter more than matching them exactly.
Preheat and prepare your tray exactly as your film packaging directs. Arrange pieces separately on the recommended lining with space to shrink. Use the stated temperature and timing for that specific product. The pieces may curl during shrinking and then settle; watch them without reaching into the hot oven. Remove the tray with heat protection. If the manufacturer recommends flattening, follow its method while the pieces are still warm. Let everything cool fully before handling or adding findings. Do not microwave shrink film. Children need adult supervision for heating and small jewellery parts.
Check the cooled links for sharp edges, cracks and sound holes. Discard damaged links. If adding a protective finish, use a film-compatible product, test it first and let it cure fully before assembly.
Lay your chosen motifs face up in an alternating order. Grip a jump ring on either side of its opening with two pliers. Twist one side forward and the other back; do not pull the circle wider sideways. Pass it through the right tab of one link and the left tab of the next, then twist closed until the ends meet without a gap. Choose rings with enough inside diameter to let the thicker shrunken tabs move freely. Repeat to form a flexible strip.
Wrap a narrow paper strip around the place you will wear the bracelet. Keep it comfortably against the skin, mark where it overlaps, then lay it flat and measure from the end to the mark. Begin with about ½–¾ inch of wearing ease and adjust for comfort and link thickness. Lay out the cooled links, connecting rings and clasp and measure the entire closed bracelet length; the clasp and connecting rings count toward the total. Add or remove links, or use a short chain section to fine-tune the fit.
Use a jump ring to attach the lobster clasp to the first free end tab. On the opposite end, attach a closed receiving ring or short extender chain. Close every connecting ring carefully. Check that the clasp opens, closes and catches securely, then try the bracelet on. It should move comfortably without squeezing, snagging or slipping over your hand.
Wear your little Christmas keepsakes with a soft ivory jumper, a velvet ribbon in your hair, or your favourite festive outfit. Make a matching pair of earrings from spare designs, or tuck a bracelet into a small gift box for someone who loves vintage Christmas details. Keep your finished jewellery away from prolonged heat, soaking and rough pulling.
Manufacturer reference: Grafix shrink film FAQ. Always use the instructions supplied with your own film.
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Explore My Grandma’s Teacups printable collections on Etsy for more artwork and seasonal crafting inspiration.
Some of the prettiest Christmas details are the smallest: a glossy holly button at the centre of a velvet bow, a tiny poinsettia on a card, or an ivory cameo finishing a little gift box. This project turns our Christmas printable into dimensional paper accents with a colour laser printer, Cricut Print Then Cut and several thin coats of clear UV resin.
The gold, pearls and carved details are part of the printed artwork. The resin adds a smooth, raised clear finish; it does not turn the printed details into sculpted metal or porcelain.
A plain market bag is a lovely excuse to take our favourite autumn designs beyond the craft room. I made two versions: a cheeky dragon bag and a Scottish Highlands bag filled with plaid, pumpkins and pretty things. Add a ribbon dangle at the handle and an everyday tote becomes something rather special.
Dragons Don't Do Pumpkin Spice — We Bring the Heat: the dragon design pairs beautifully with a full red-and-burnt-orange bow, beads and gold charms. Keep the bow snug against the handle and let the ribbons drape along the side so the dragon and wording remain visible.
Plaid, Pumpkins & Pretty Things: the Scottish Highlands version calls for purple plaid, matcha green and purple velvet ribbons, with pearl sprays and a cabochon at the centre of the bow. A silver Scottish thistle charm adds the finishing touch.
Check your blank: a canvas look does not necessarily mean a bag is suitable for sublimation. Use a bag sold for sublimation and follow its supplier's instructions. Ordinary untreated cotton requires a different transfer method.
Open an 8.5 × 11 inch design in Canva and upload your image. Size it to suit the blank space on your bag, allowing for your printer's printable margins. Keep the image in proportion.
Flip the image horizontally, then download it to your device at high quality. The lettering should look backwards in the saved file. Mirror it only once: if you have flipped it in Canva, leave any additional mirror setting in the print dialogue turned off.
Print on the correct side of your sublimation paper using the settings recommended for your printer, ink and paper combination. Check the print preview to make sure the design has not been resized unexpectedly.
Allow the ink to dry fully before handling. Carefully tear away the excess paper around the image, leaving a small border and keeping all of the printed design intact.
Lay the bag flat and lint-roll the area that will be pressed. Pre-press as directed by your bag supplier to remove moisture and wrinkles, then allow it to cool before positioning the transfer. Put fresh protective paper inside the bag to protect the back. Keep handles and bulky seams out of the pressing area.
Place the printed image face down in the centre of the blank space. Check that it is straight and secure it with heat-resistant tape so it cannot slide. Cover it with fresh protective paper as directed for your press.
Press using the temperature, time and pressure recommended for your particular bag and transfer supplies. Settings vary, so use the supplier's guidance rather than a single setting for every tote.
Carefully lift the bag from the press and lay it flat on a heat-safe surface. Follow your transfer supplier's instructions for when to remove the paper, lifting it cleanly without dragging it across the print. Let the bag cool completely before adding its decorations.
Attach your purse dangle close to the base of a handle, with the bow sitting snugly against it. Arrange the ribbon tails, beads and charms down the side of the bag so they frame the transfer without covering it.
Make your own with layered ribbons, beads, a clasp and a few favourite charms, or purchase a ready-made bag dangle from Etsy. There are lots of cute charms on Temu too—lovely little finishing touches for a dangle that suits your bag's personality.
For the dragon bag, think rich reds, burnt orange and gold dragon, leaf or flame charms. For the Scottish Highlands bag, combine purple plaid, matcha green and purple velvet with pearl sprays, a centre cabochon and a silver thistle.
One simple process, two very different moods: a little Highland romance, or a dragon with opinions about pumpkin spice.
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Choose the printable collection for your favourite version: Dark Fantasy Fall Expansion on Etsy for the dragon bag, or Scottish Highlands Fall Expansion on Etsy for the Scottish Highlands bag. These are digital downloads; bags and craft supplies are separate.
Choose a favourite image to save this project for your next creative afternoon.



There is something lovely about giving an overlooked object a new purpose—especially when it ends up beside a favourite stack of books. Our design team member Becky Conley of BC Designs has shared a new project, Tea for Two Bookend with MGT Printable Treasures, using our Blue Hydrangea collection.
I love seeing the different directions our designers take with the same printable artwork. This time, Becky has taken it beyond the journal page and into a bookend project, bringing her love of repurposing to a bookish corner.
Love printable paper crafts and gentle seasonal inspiration?
Our design team has given us one more lovely reason to linger in autumn. Samantha Kennard of Mamthy’s Crafts has created a warm, layered card with the Cottagecore Comforts Fall Expansion, pairing a sweet focal image with gingham ribbon and softly coordinated printable papers.
Card and photograph by Samantha Kennard of Mamthy’s Crafts.
Samantha used one of the collection’s stickers as the main image, then built the card around coordinating background papers. The gingham ribbon echoes the country-cottage feeling and adds just enough texture without competing with the printed layers.
The result is cosy, cheerful and very easy to adapt. It is a lovely example of how one sticker can become the anchor for a complete handmade card when the papers and ribbon repeat the same colour story.
Please visit Samantha’s original Cottagecore Comforts Fall card post on Mamthy’s Crafts for her project notes and more of her creative work.
You can also explore the Cottagecore Comforts Digital Fall Expansion used in this card. Samantha’s readers can use her design-team code MGTSAMANTHA for 30% off at checkout.
To discover more work from Samantha, Becky Conley and Elizabeth Kirby Hart, visit Meet the My Grandma’s Teacups Design Team.
Don’t miss the beginning of our winter project series.
Card and photograph: Samantha Kennard, Mamthy’s Crafts.



A little gold, a beautiful bookmark, and a gloriously full tassel—this is the sort of finishing touch that makes a reading accessory feel like a special gift. For this project I used the Romantasy Fall bookmarks and turned coordinating sticker designs into little hand-coloured charms.
The project has two parts. First we print and finish the bookmarks. Then we make the charms and put together a layered tassel with lace, fibres and strands of seed beads.
Open the bookmark file and print at actual size, or 100%, to keep the intended proportions. Check the preview before printing: turning on “fit to page” can change the finished size. Choose the paper setting that matches your cardstock and allow the ink to dry completely before handling the surface.
Use a paper trimmer for the long straight edges, or a ruler and scissors if that is what you have. Follow the outside edge of each bookmark and keep the decorative border even. If you would like a backing, add a thin layer of coordinating paper now and let the adhesive dry flat before continuing.
Run a gold marker carefully along the cut edges and pick out a few border details. Work lightly so the metallic finish complements the artwork. Let it dry fully.
Foil is another lovely option. Use foil with the adhesive or transfer method specified for that product; ordinary foil will not simply stick to an inkjet print. Make a small test first, particularly if the finished piece will go through a hot laminator. Keep bulky embellishments out of the laminating pouch.
Punch a centred hole near the top, leaving a sturdy bridge of material above it. Position it far enough in to pass through the cardstock and laminate, rather than relying on the thin clear border alone. Keep it clear of the main artwork. A narrow cord loop will pass through this hole, so it only needs to be large enough for your chosen attachment.
We used the coordinating sticker designs to create a black-and-white line-art image. I placed the shrink film over that image and traced the motifs onto the film. The sword, book and rose, lantern, crown and celestial designs all make lovely little accents.
Use the side and drawing materials specified for your film. Shrink ratios vary, so make one test charm before deciding on the size for a whole batch. You want the finished charms small and light enough to sit comfortably beside the bookmark.
I coloured the traced images with pencil crayons, using shades that worked with the bookmarks. Keep the colouring fairly light at first: it becomes more concentrated when the film shrinks. Leave the hand-coloured texture visible—that is part of the charm of making them yourself.
Cut around each motif, leaving a little space around delicate details and rounding sharp corners. Leave a sturdy tab where the cord will attach and punch the hole now. Both the design and the hole shrink, so check the hole size on your test piece before making the remaining charms.
I used a heat tool to shrink my coloured pieces. Use this method only if your shrink-film instructions allow it. Work on a heat-resistant surface in a ventilated area, keep the hot tool away from paper and tassel fibres, and use a suitable tool to stop the lightweight piece from blowing away. Follow the film manufacturer's heating instructions rather than a fixed time or distance.
The film may curl as it shrinks. Let it finish shrinking and settle as directed, then allow it to cool before handling. If the product instructions call for flattening, do that with the recommended tool and method. Attach cords only after the charm has cooled completely.
I attached the cooled charms to the little cord loops used for phone dangles. Pass the fine loop through the charm hole, then pass the rest of the attachment through the loop and pull gently to secure it. If your attachment needs a jump ring, use a small smooth ring that fits without forcing the hole. Check that each charm hangs freely.
For the full tassel, gather a generous mix of ivory lace, dusty rose and plum fibres, copper or rust ribbon, muted olive accents and a few fine antique-gold strands. Mix widths and textures: lace gives softness, ribbon gives body, and fine fibres fill the gaps.
For a tassel around 4 inches long, begin with strips roughly 9–10 inches long so there is room to fold, bind and trim. This is a starting point, not a required measurement; adjust it to suit your bookmark. Lay the strips together with their centres aligned and keep adding until the bundle looks satisfyingly full without becoming too heavy.
Tie a strong hanging cord securely around the midpoint. Fold the bundle in half over that tie, then bind the folded bundle a short distance below the top to form the tassel head. Wrap firmly several times, knot securely and tuck the ends into the fibres. Spread the lace and ribbons so the colours are visible all around, then trim the ends into a soft, slightly varied fringe.
Thread a few short strands of seed beads in plum, amber and antique gold. Use cord suited to the bead holes and secure both ends with appropriate knots or findings so the beads cannot slide off. Tie the strands into the tassel beneath the wrapped neck, leaving them visible between the lace and fibres. Keep them short enough to avoid dragging below the tassel.
Secure the phone-dangle charm loops at the top of the tassel or around its neck, placing the charms where they can be seen against the softer fibres. Use just a few so they remain accents rather than weighing the whole tassel down.
Pass the tassel's narrow hanging loop through the bookmark hole, then pass the tassel through that loop to make a gentle lark's-head attachment. If the bundle is too thick to pass through, use a suitable connecting ring or tie the hanging cord securely instead. Give each attachment a gentle check.
Keep the bookmark flat between the pages and let the tassel and charms rest outside the book. The finished effect is richly layered: gold-edged autumn artwork, soft lace and fibres, tiny seed beads and your own hand-coloured charms.
The finished hero image was created from my bookmark artwork and charm photographs, with my planned full tassel digitally added because the remaining supplies had not arrived in time. The process photographs show my printed bookmarks and hand-coloured shrink-film work.
Find the coordinating printables in My Grandma’s Teacups on Etsy, and join our newsletter for more paper-crafting inspiration.
Affiliate disclosure: I may earn a commission if you purchase through these links, at no extra cost to you.
For a little extra shimmer, The Crafter’s Workshop Champagne Gold 6 × 6 Foil Transfer Sheets can be used with double-sided adhesive or the tacky-when-dry medium specified for the foil. Try a narrow adhesive border on a scrap of cardstock first.
For a separate heat-foiling method, consider Gina K Designs Fuse Foiling Gel and the Gina K Designs White Fuse Foiling System. The gel is applied through a stencil and allowed to dry before foiling with the Fuse system. Use foil confirmed compatible with that system and follow the product instructions. The Champagne Gold sheets above are described for adhesive transfer; compatibility with the Fuse gel and machine has not been confirmed. The Fuse is an optional foiling tool, not a required supply for this project. A gold marker is still a simple finishing option.
Affiliate links: I may earn a commission from purchases through these links, at no extra cost to you.
Both products were listed as out of stock when checked on November 6, 2026. Check current availability; a suitable paper glue or double-sided tape you already own can be used instead.
Affiliate link: I may earn a commission if you purchase through this link, at no extra cost to you.
The Stamperia Create Happiness Paper Trimmer at A Cherry On Top includes separate cutting and scoring blades, imperial and metric measurements, and an extendable measuring arm. It is an option for straight paper cuts and scored folds; follow the tool’s instructions and check its supported material thickness. Use a suitable craft knife for chipboard. Listed as in stock when checked on November 6, 2026; availability may change.
Shop the Romantasy Fall collection on Etsy for the printable artwork used in this bookmark project.
Save your favourite angle for a future creative afternoon. The styled finished-project concepts show the planned full tassel; the charm image uses the original hand-coloured pieces.



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