Getting Ready for Christmas Craft Shows: Part 1

If Christmas craft shows are on your calendar this year, now is the moment to start planning — not in October when the good booths are already booked and you're scrambling to print a sign. A little structure now saves you from the classic mistake so many of us have made: spending weeks making something beautiful that nobody at the show actually wants.

This is Part 1 of our Christmas craft show prep series, covering the groundwork: researching trends, deciding what to bring, mapping your booth, sorting out how you'll take payment, and choosing venues that are actually worth your table fee.

1. Research Current Trends Before You Make a Single Thing

It's tempting to dive straight into production mode, especially when you already have a signature style. But before you commit hours (and materials budget) to new stock, take time to look at what's actually selling this season.

• Scroll with intention. Spend time on Pinterest, Etsy's trending searches, and craft-specific Facebook groups. Note what's showing up again and again — colors, themes, product types.
• Check last year's show photos. If you or fellow vendors posted booth photos from last year's Christmas shows, look at what sold out versus what sat on the table.
• Ask your existing customers. A quick poll or comment prompt on social media ("what are you hoping to find at craft shows this year?") gives you direct insight instead of guesswork.
• Balance trend with signature. You don't need to chase every trend — but knowing what's in demand helps you decide where to flex your usual style toward what people are actively looking for.

The goal here isn't to copy anyone. It's to make sure the hours you invest go toward products people are actually hoping to find on the tables this year.

2. Make Final Decisions on What Products to Bring

Once you have a feel for what's trending, it's time to get concrete. Craft shows reward focus — a table that's easy to shop tends to outsell a table trying to be everything to everyone.

• Pick your core lineup. Decide on a manageable set of product lines rather than bringing one of everything you've ever made.
• Cover your price points. Include a mix of impulse-buy items (small, low price) and a few higher-ticket signature pieces.
• Think in bundles. Gift-ready sets are huge for Christmas shows — shoppers are buying for other people and love a grab-and-go option.
• Plan quantities realistically. Based on past shows (or a conservative first estimate), decide how many of each item you actually need to produce, so you're not either sold out by 11am or hauling half your stock back home.

3. Draft a Booth Plan — Do You Have Everything You Need?

Before show day, sketch out your booth. Literally draw it, even roughly. This is where a lot of vendors get caught out — realizing the morning of that they're missing a key piece of equipment.

• Map your footprint. Know your table dimensions and sketch where each product category will live.
• Think in levels. Risers, tiered stands, and varying heights make a booth feel fuller and help smaller items catch the eye instead of getting lost in a flat table.
• List your hard equipment. Tables (do you need your own, or is one provided?), tablecloths, risers, signage stands, a chair, lighting if the venue runs dim, and a way to secure your tent if you're outdoors.
• Don't forget the practical extras. Bags or tissue for purchases, a cash box, a clipboard for email sign-ups, extra price tags, and a small toolkit (tape, scissors, zip ties) for on-the-spot fixes.

Walking through your booth plan on paper now means you're not making a panicked last-minute run for a folding table the night before.

4. Consider Your Payment Options

Cash-only tables leave money on the table — literally. Most shoppers expect to tap or swipe, especially for higher-ticket items.

• Weigh a POS system. Square and similar systems let you accept cards, track inventory, and see which products actually sold — valuable data for your next show. Compare transaction fees against your average sale size to see if it pencils out.
• Have a backup. Venue wifi and cell signal can be unreliable, especially in older buildings or rural fairgrounds. Know your POS system's offline mode, and always keep a cash float on hand.
• Factor in fees when pricing. Build card processing fees into your pricing structure so they don't quietly eat your margin.

5. Research Venues Worth Your Table Fee

Not all craft shows are created equal, and table fees can add up fast if you're picking events without foot traffic to back them up.

• Look for built-in traffic. Shows tied to a festival, holiday tour, or other established draw tend to bring shoppers who weren't just there for the vendors — meaning more overall foot traffic past your table.
• Prioritize busy, established locations. A show in its 10th year at a well-known venue has a track record. A brand-new pop-up market is a bigger gamble, even if the fee is lower.
• Check the vendor list for competition. Ask organizers (or check past years' vendor photos) for how many other vendors in your category are attending. A show packed with ten other bookish-printable sellers splits your potential customers thin.
• Read the fine print. Table size, setup time, whether they provide tables/chairs, parking situation, and marketing efforts on the organizer's part all affect whether a show is worth it.

A little research here can be the difference between a show that covers its fee twice over and one that barely breaks even.

Coming Up in Part 2

Once you've got your research, product lineup, booth plan, payment setup, and venue list locked in, the next step is turning all of that into a real production and marketing timeline — so stay tuned for Part 2, where we'll map out the countdown to show day.

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Recreate This Viral-Worthy "Emotional Hangover Log" in Your Own Reading Journal

You know the feeling. You finish a book, close the cover, and just... sit there. Staring at the wall. Unable to speak to another human being for at least twenty-four hours. If you've ever needed a full recovery day after a book wrecked you in the best possible way, this spread is for you.

The "Emotional Hangover Log" is one of the most fun reading journal spreads we've come across — equal parts silly and cathartic, and genuinely satisfying to fill in after a book that leaves you emotionally flattened. Here's how to recreate it in your own journal, plus where our Romantasy printables can shortcut the decorative work.

The Elements That Make It Work

This spread isn't just a book log — it's a confession booth for readers who take their heartbreak seriously. A few key elements make it sing:

• Book Title, Author, Date Finished — the basics, but framed like evidence at a crime scene
• Emotional Damage Rating (1–5 hearts) — from "mildly ruined" to "absolutely destroyed"
• What Wrecked Me — a few lines to name the exact moment that did you in
• How Long I Was Emotionally Unavailable — because we all know it wasn't just one day
• Would I Wreck Myself Again? — a simple yes/no, though let's be honest, it's always yes

How to Build It Yourself

Start with a simple four-box grid on your page — one box per book, so you can track a small stack of recent reads at once. Hand-letter your headers in a serif or script style to keep the tone a little dramatic, a little romantic, exactly like the books you're logging. Leave generous blank lines under each prompt so there's room to really spiral if the book calls for it.

For the heart rating system, five small hand-drawn or stamped hearts per box does the trick — shade them in as you rate the damage, from a single wounded heart to all five fully colored in for the books that truly ended you.

Where Our Printables Come In

If hand-lettering and illustrating isn't your thing (or you just want it to look polished fast), our Romantasy Collection has exactly the elements this spread calls for — rose borders, a wax seal motif, castle silhouettes, and sword accents, all ready to layer straight into your journal. Print, cut, and paste your way to the same dramatic, fairytale-gothic aesthetic without picking up a paintbrush.

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A Look Like a Shiny Coin

Isolde swallows the last of the bitter wine in her cup and smiles at her tablemates. "I fear I am bone weary this evening. I hope it will not offend you if I excuse myself to lay down in my chamber."

The guests on either side nod, gracious as ever, and she waits for the servant boy to pull her chair back from the table. She rises with practiced ease, the picture of composure — the mark on her wrist hidden beneath her sleeve, exactly where it has been all night.

But something catches her attention as she turns from the table.

A servant girl, watching her. Not the polite, downcast glance expected of the household staff — something sharper. Something that lingers a half-second too long, the way one looks at a coin left carelessly out in the open.

Isolde gives her a cutting glance in return, and the girl's eyes drop properly, as etiquette demands. But the damage is done. Isolde is left unsettled, turning the moment over as she walks.

Did that girl see something?

What could have possibly emboldened her to look so directly in the first place — unless she'd caught a glimpse of what Isolde has spent weeks concealing?

It's more urgent now than ever that she find someone — anyone — who can tell her what this mark truly means, and what she's meant to do about it, before her father finds out. The king is not known for mercy, even toward his own daughter. And more than one maiden has met the pyre for far less than a mark no one can explain.

Isolde keeps her eyes fixed forward, avoiding conversation, and walks quickly down the long flagstone hallway — up the stairs, toward the fragile safety of her bedchamber.

Isolde's world is only just beginning to unravel. Follow her story — and find the printables inspired by it — in the Romantasy Collection.

Love cozy books and beautiful reading printables? Join the Cozy Bookish List for thoughtful recommendations, creative inspiration, subscriber-only savings and first looks at new collections.

Seven Heroines, One Garden

Nobody remembers whose idea it was, exactly. Someone suggested a garden — neutral ground, somewhere between all of their worlds and none of them — and somehow, impossibly, all seven of them showed up.

Isla arrived last, still faintly smelling of woodsmoke and rain, and took her place at the end of the stone balustrade without a word. Isolde came next, quiet and watchful, the pale mark on her wrist catching the light when she leaned forward. Kira showed up in half her armor, like she hadn't quite decided whether this counted as safe ground. Lilian stood a little apart at first, candlelit even in daylight somehow, until Clara — flour still on her sleeve — pulled her gently into the row. Genevieve arrived with a spool of ribbon still looped around one wrist, straight from the shop. Eleanor came last of all, five minutes stolen from some ballroom none of the others had ever seen, and slid in beside Isla like she'd always belonged there.

Seven women. Seven entirely different worlds. And somehow, leaning on the same sun-warmed stone, they looked like they'd known each other for years.

How We Got Here

This series started in the Scottish Highlands, in a storm-lit library at the edge of a loch, with a woman who has never once needed rescuing. It wound its way through a castle under a curse no one asked for, a war camp with a dragon curled just outside the tent, a candlelit vanity table on the last ordinary evening before everything changed. It stopped in a Bath dress shop before the morning rush, slipped out to a garden during a ball for five stolen minutes, and settled, finally, at a kitchen table where the bread never quite burns.

Seven collections. Seven muses. Seven completely different aesthetics, built one at a time over the better part of a month — and somehow, standing all together like this, they don't clash. They complete each other. Heather purple and dragon-scale green. Candlelit gothic and icy Regency blue. Cottage sage and burgundy silk. Different enough to give every reader somewhere to belong, close enough in spirit that any one of them could have pulled up a chair beside the others without anyone blinking.

Meet the Full Cast

• Isla MacRae — Scottish Highlands. Steadfast, quietly protective, keeper of a library at the edge of a loch. Read her story
• Isolde Thorne — Romantasy. Marked by a fate she never chose, and never once treated as easy. Read her story
• Kira Dravenwood — Dark Fantasy. Took what no one gave her permission to have, and made it hers. Read her story
• Lilian — Midnight Vanity. The last ordinary evening before everything changed, kept close and half in shadow. Read her story
• Genevieve Ashworth — Victorian Haberdashery. Measures twice, cuts once, never apologizes for either. Read her story
• Eleanor Hartwell — Blue Hydrangea. Composure that takes real effort to look effortless, five minutes at a time. Read her story
• Clara Fairweather — Cottagecore Comforts. Never in a hurry, never anywhere but exactly where she means to be. Read her story

So, Which One Are You?

Here's the truth: most readers aren't just one of them. You're Isla on a stormy Tuesday and Eleanor at a party you didn't want to go to. You're Clara most mornings and Kira the one day a month you finally say what you actually think.

But if you had to pick — if you had to choose which garden you'd have shown up to that afternoon and which spot on the balustrade would have been yours — we built something for exactly that question. A proper quiz, seven questions, one heroine at the end who fits you closer than you'd expect. It's coming to the blog very soon. Keep an eye on your inbox.

Until then, thank you for reading along all month. Every one of these seven women started as a single image and a handful of sentences, and somehow they've turned into seven full collections, seven inboxes full of letters that will never be sent, and one very crowded, very unlikely garden.

"Seven women. Seven entirely different worlds. And somehow, they looked like they'd known each other for years."

"You're Isla on a stormy Tuesday and Eleanor at a party you didn't want to go to."

"Different enough to give every reader somewhere to belong. Close enough in spirit to pull up a chair beside the others."

Clara Fairweather and the Kitchen Table at Midmorning.